Professional advices for production companies in 2024 from GlobalTalentNetwork.com

GlobalTalentNetwork All-in-One Applicant Tracking Software for casting directors: Therefore, the actual value of top talent is far more significant than most organizations realize. Far too many companies promote that “their people are their most valuable asset” yet do nothing differently to attract top talent. There is a business case for the attraction and retention of top talent, which is why every organization should make it more of a priority. Some companies will say that getting top talent is difficult and competitive, as it should be considering its value, which is why companies look to Self Management Group as their strategic recruitment partner. Keep these findings in mind the next time you “settle” for an average candidate rather than going the extra mile to find a Golden Eagle. Discover additional details casting Directors connection database.

GlobalTalentNetwork guides for talent firms : A glossy brochure shows clients that your agency is professional. Feature your top models on the brochure to showcase the the diversity your agency can provide. For example, you might have a high fashion photo, a picture of your models at a runway show and a group of models in a fun pose or two. Each of your models should have a composite photo card that you can quickly send to an interested client. The model should also have a portfolio available in case the client would like to see more in-depth work out of a particular model before hiring.

Do your homework. Every franchised SAG-AFTRA talent agency has a website. Read what they’ve written about their agency, then look at the actors they represent. Do you see anyone who looks like your “type?” If you can, look at that actor’s resume and see where they have trained, what theatres they have worked at, television shows they have booked, notice their special skills. This’ll give you an idea of the kind of actors the agency has already responded to. See additional details globaltalentnetwork.com.

Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.

Additionally, consider buying tickets to theater shows in your town. It can plug you into your local acting community while exposing you to new playwrights, actors, and directors. For auditions, you need to arrive a few minutes early, and with a reel, headshot, and résumé in hand. Reel: Your demo reel will frequently be what gets you in the door. A résumé is great, but if the casting director isn’t familiar with you, for all they know, your credits could be made up. Headshot and résumé: Always, always bring them to an audition. What’s more, make sure your headshot and résumé are stapled together. Don’t squander your chances for a callback because the casting director wasn’t able to determine your experience level after your résumé got separated from your headshot. (And if you don’t know what your headshot should look like, dig into our guide to acting headshots for tips!)

What Is a Talent Agent? Talent agents are a regulated portion of the entertainment industry and have the very specific job of finding and securing work for actors, directors, writers, and musicians. Agents work with studios and casting directors to place clients on film productions. Agents are licensed and work for a talent agency “or corporation who engages in the occupation of procuring, offering, promising, or attempting to procure employment for an artist or artists,” according to California state law. Other states have different requirements.

Know your character’s objective: Go underneath the dialogue. What do they want from the other characters? What is the character’s purpose in the scene and story? Understand your character’s obstacle: What’s in the way of the character getting what they want? Acting is what happens to you as you try to get your objective met, in spite of the obstacle. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)

“If it’s on camera, try to wear solid colors (no sparkles or logos),” says Cathryn Hartt, Backstage Expert. “Try to stay away from bright white and tiny stripes (which have a psychedelic effect when you move). For drama, wear darker colors or earth tones. For comedy, wear brighter colors. For commercials, look and see what people in your category are wearing in commercials and keep that in your wardrobe.” The best way to memorize lines for an audition is to run through the script with a friend; a fellow actor is even better! Ask them to try different approaches and see if you’re nimble enough to respond accordingly, and change what you’ve been doing.

There are hundreds of talent agencies out there but, when you are applying to get represented you maybe faced with a ton of rejection letters and declines. Think about it, Kevin Costner, Angelina Jolie, John Travolta, and Brad Pitt struggled to find a talent agency to represent them when they first entered the entertainment industry. Honestly, everyone gets rejected by agents because agents are never sure who will become the next A-List actor. Typically, agents will say no to you for two reasons. An agent may reject because you look too much like other actors that the agent represents. Your agent does not believe that you currently have enough experience or training to justify representing you.